Special Agent Dylan Rhodes

Dylan knew, coming out of the hospital if not going in, that getting sober wasn't going to be easy. He knew he'd have bad days and good days and days in between, and every therapist he's seen since then, every meeting he's been to has only reaffirmed that. They'd also armed him with a bag of tricks to deal with everything and everything in between, but -- well, today is one of the bad ones and nothing is helping. He's been pacing the house like a madman for the better part of the day, trying to find something to hold his attention long enough that he can stop thinking about running down to the nearest liquor store. He needs to get out of his skin. He's just shy of calling his sponsor. He needs to get out of the house.

He needs to get out of the house.

Stopping midway through moving a pile of books from one side of the living room to the other, he latches onto that idea and turns it over in his head. He needs to get out of the house.

He's moving again a second later, though this time, it's with a purpose, a clarity he hasn't felt like he's had in hours, days, weeks. He goes to Jack's room, tapping lightly on the door, and then after a beat and once he's been invited in, sticks his head in. Flashing him a smile that's equal parts reassuring and strained (he's fine, they're fine, this is nothing bad, he's just a little jittery, don't mind him), he tells him, "Hey. Pack your shit."

He has an idea. It'll be good for both of them.

The place Miranda picks for their lunch date is meant to be neutral ground, Dylan is sure. She has them come out to Chicago, and while she is doing a show here, sometime this weekend, if her website is to be believed, it's still not home, not for either of them. It's also not one of the dozen places around town that might have required a reservation and no escape, if either of them thinks this is going south. No, it's just a diner, a literal hole in the wall, in a strip mall between a chiropractor and -- something else, Dylan's not sure, as he misses the sign, etched into the wall as they head in, but either way, the effort all adds up to a massive relief. He's not sure this will go badly, that he needs to think in terms of advantages and disadvantages as if he was playing chess, considering he's changed in the last twenty years, twenty months, twenty weeks, but still. He lets out a breath of relief, as they step into the building and he takes a look around.

It's a little less reminiscent of a dive bar, inside, even if the floors are bare, the ceiling open, and Dylan takes a certain amount of comfort in that, too. He glances to Jack briefly, to gauge his impression of all of this, and then steps up to the hostess's station as he looks out over the tables, trying to spot Miranda in the dwindling late-lunch crowd. When he doesn't see her, he's not surprised (she never could be on time for anything), and so he gets them a table for three, by the window, and settles into a chair. He expects Jack will take up his side of the table, too, and that's fine with him.

Once he's settled, Dylan pauses a beat, before, "Have I mentioned the part where she'd be late for her own funeral?"

Who: Dylan, Alma, Daniel, Merritt, Henley & Jack.
What: As promised, Dylan takes Alma up to the suite to meet the Horsemen off the clock. Directly following this.


( As had also been the case every night they had spent together, it passed more quickly than it seemed it should, and morning came early. )