Entry tags:
magician's apprentice | been a hell of a ride but I'm thinking it's time to grow
Dylan knew, coming out of the hospital if not going in, that getting sober wasn't going to be easy. He knew he'd have bad days and good days and days in between, and every therapist he's seen since then, every meeting he's been to has only reaffirmed that. They'd also armed him with a bag of tricks to deal with everything and everything in between, but -- well, today is one of the bad ones and nothing is helping. He's been pacing the house like a madman for the better part of the day, trying to find something to hold his attention long enough that he can stop thinking about running down to the nearest liquor store. He needs to get out of his skin. He's just shy of calling his sponsor. He needs to get out of the house.
He needs to get out of the house.
Stopping midway through moving a pile of books from one side of the living room to the other, he latches onto that idea and turns it over in his head. He needs to get out of the house.
He's moving again a second later, though this time, it's with a purpose, a clarity he hasn't felt like he's had in hours, days, weeks. He goes to Jack's room, tapping lightly on the door, and then after a beat and once he's been invited in, sticks his head in. Flashing him a smile that's equal parts reassuring and strained (he's fine, they're fine, this is nothing bad, he's just a little jittery, don't mind him), he tells him, "Hey. Pack your shit."
He has an idea. It'll be good for both of them.
He needs to get out of the house.
Stopping midway through moving a pile of books from one side of the living room to the other, he latches onto that idea and turns it over in his head. He needs to get out of the house.
He's moving again a second later, though this time, it's with a purpose, a clarity he hasn't felt like he's had in hours, days, weeks. He goes to Jack's room, tapping lightly on the door, and then after a beat and once he's been invited in, sticks his head in. Flashing him a smile that's equal parts reassuring and strained (he's fine, they're fine, this is nothing bad, he's just a little jittery, don't mind him), he tells him, "Hey. Pack your shit."
He has an idea. It'll be good for both of them.

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He honestly hadn't been that upset about it when Dylan had told him about his own plans for Halloween this year, but if Dylan's offering something for next year, he's absolutely on board with it.
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It is a dream, after all, and he's never really played much with lucid dreaming, so he has no basis for comparison.
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Dylan obviously knows what's cool considering the costume he had designed for himself this year.
Also, take note, universe, that this may be one of the only times a teenager actually thought his parent was cool.
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Never mind that he did have the thought that the Masque costume had been cool, and considering they're in each other's heads, he might as well have said that outloud. He's not thinking about that part.
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It's also fairly obvious through the connection that he's teasing - like he knows Dylan is, too.
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It takes him a moment to strip out of his shirt, but once he's bare, he turns, putting his back to Jack. From this angle, it's hard to see him rubbing his fingers together as he pulls on his magic, but the sensation is there, power gathering and then dispersing as he touches the tattoo.
Light races along the edges of it, circling the grain of the wood in a spiral that comes together at the bolt hole, like water swirling down a drain. When it reaches the center, it spreads out again, a stylized Eye lighting up with the hole as the pupil. The hidden image lingers for a moment before fading -- a glow in the dark star burning out its sunlight.
Dylan half-turns then, glancing at Jack over his shoulder. "You see it?"
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His eyes go wide as he watches the light spread over the tattoo, as it lights up the Eye hidden in the tattoo. "Holy shit," he breathes. "I'm not even gonna pretend that's not fucking awesome. How does that work? Is it like... the kind of ink or whatever?"
Don't tell him 'magic'.
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"Magic."
While he expects that will earn him another eyeroll and another denouncement, he still flashes him a smirk as he turns to face him again. Thankfully, it fades as he reaches to pull his shirt back on and as he explains, "I know a guy who figured out the trick to making blacklight ink react to magic, too."
A moment of pause follows, something thoughtful creeping onto his face. "Obviously, it lights up when I touch it -- " With intent. " -- but I haven't actually tested whether or not it lights up when I'm just doing unrelated shit."
Clearly, that's something they should test when they're both awake and not where the tattoo will behave exactly as Dylan expects it should.
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It doesn't last long, though, the awe returning. "Yeah, we need to try that," Jack says, agreeing to what Dylan didn't say.
"When did you get it?"
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"I was in my early twenties," he decides, finally. A pause, and then he ventures, "I think I got it, like, right after I joined the Eye."
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Jack's thought here and there about getting a tattoo once he turns 18, though he doesn't have any solid ideas on what he'd get, yet.
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"All the time." A beat. "I honestly dunno why I haven't, to tell you the truth."
If he has reasons, they're a little fuzzy in the here and now.
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"I've thought about getting one a couple times. Don't really know what, though," he says, still looking at the book. "And I'd've had to wait until I was 18 anyway."
And this is a time where it wouldn't have made a difference whether he had a responsible adult to help him, since New York requires people to be 18 to get one even with parent approval.
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And he'll foot the bill.
Assuming that's something Jack's interested in, anyway.
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Like he said he's had a few things he thought about maybe getting tattooed, but nothing's really stuck with him. He's got over six months to think about it, though. Plenty of time.
"You get commissioned by a lot of people?"
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A tip of his head follows at the question, the gesture a so-so. "I get a lot more requests than I actually take on? I mean, I don't mind doing art for other people, but I kind of -- I don't want it to start feeling like actual work, you know?"
He's discerning about what he actually choses to do so he doesn't get burned out.
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He looks up again. "I'm glad you get to do it regularly though? Even though you're not, like..."
In a career that involves art, he means, though he doesn't feel like he needs to finish that since they were just talking about it - and since they're literally in each other's heads right now.
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It's good to be able to draw on a regular basis, whether or not he's doing it for money. It's also good to be able to do design work for other magicians, be it costumes or tricks, since he can't be on stage. He's not sure how he'd fare if he didn't have that creative outlet, that connection to the family business.
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