Entry tags:
magician's apprentice | been a hell of a ride but I'm thinking it's time to grow
Dylan knew, coming out of the hospital if not going in, that getting sober wasn't going to be easy. He knew he'd have bad days and good days and days in between, and every therapist he's seen since then, every meeting he's been to has only reaffirmed that. They'd also armed him with a bag of tricks to deal with everything and everything in between, but -- well, today is one of the bad ones and nothing is helping. He's been pacing the house like a madman for the better part of the day, trying to find something to hold his attention long enough that he can stop thinking about running down to the nearest liquor store. He needs to get out of his skin. He's just shy of calling his sponsor. He needs to get out of the house.
He needs to get out of the house.
Stopping midway through moving a pile of books from one side of the living room to the other, he latches onto that idea and turns it over in his head. He needs to get out of the house.
He's moving again a second later, though this time, it's with a purpose, a clarity he hasn't felt like he's had in hours, days, weeks. He goes to Jack's room, tapping lightly on the door, and then after a beat and once he's been invited in, sticks his head in. Flashing him a smile that's equal parts reassuring and strained (he's fine, they're fine, this is nothing bad, he's just a little jittery, don't mind him), he tells him, "Hey. Pack your shit."
He has an idea. It'll be good for both of them.
He needs to get out of the house.
Stopping midway through moving a pile of books from one side of the living room to the other, he latches onto that idea and turns it over in his head. He needs to get out of the house.
He's moving again a second later, though this time, it's with a purpose, a clarity he hasn't felt like he's had in hours, days, weeks. He goes to Jack's room, tapping lightly on the door, and then after a beat and once he's been invited in, sticks his head in. Flashing him a smile that's equal parts reassuring and strained (he's fine, they're fine, this is nothing bad, he's just a little jittery, don't mind him), he tells him, "Hey. Pack your shit."
He has an idea. It'll be good for both of them.

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He'll still start teaching Jack to speak Chinese properly, but.
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He pauses a beat. "Maybe it would have helped if I'd brought a towel," he adds cheekily a moment later, because that book, he has read.
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A beat.
"But seriously, Jack. You're a kid. It's okay for shit to be scary or overwhelming or whatever." And another. "Hell, I'm an adult and shit still strikes me as scary or overwhelming. I just gotta pretend that I got enough of my crap together to handle it."
Being an adult sucks.
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That's a new thing for him to agree to, honestly, considering he's been expected to keep his shit together in the face of constant changes for so much of his life. Being told that, hearing that from an adult he trusts... It takes something off his shoulders.
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Another moment of pause follows, and then, "So, uh. What now?"
Yes, he knows it's his head, but Jack's just as responsible for this shared dream of their as he is.
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Or he doesn't have to show them to him at all, if he would rather not, considering Dylan wasn't really aware when he had made the offer.
Jack would like to see them though, if Dylan doesn't mind.
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"This is kinda ... think of it like a greatest hits."
This book as it exists here does not exist in the waking world -- it's a compilation of all of his favorite pieces. A character model sheet of his father. One of Jack. One of Miranda. One of Fuller. A view of Yankees Stadium from high above home plate. A sketch of the Las Vegas Strip, looking down it from one end of the street; one of Times Square in the same style. A sketch of himself in the Red Death costume he had made, this last Halloween. A few technical drawings of a couple of tricks he designed. A door, ornately carved, with a pair of moons set into a circle in the center of it. The same door, but now the design on it has been shifted to reveal an eye. A staircase that spirals endlessly upwards into another stylized eye. And so on and so forth.
Dylan settles back into the couch and watches as Jack thumbs through it.
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"These are awesome," he says eventually as he pauses on one of Times Square, glancing up at Dylan. "Like. Seriously awesome."
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It's how he gets out of his head.
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He obviously has no idea but he's heard that's an issue, anyway.
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Maybe if someone had been there, the night his father died, they could have saved him.
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He probably should have known better to ask, too.
"I get it, though."
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He might reserve the right to answer, if what Jack asks cuts too deep, but he's not going to bite his head off.
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He doesn't want to upset Dylan. And he knows that Dylan isn't like his other fosters, who said things like that and then got upset when he did try to ask - but it was easier to just not ask. He does know that. But sometimes he still worries.
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Another pause, and he looks back to the sketchbook. "Kinda cool that you drew me," he says, his smile returning at the corners of his mouth. He means that, too.
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He honestly hadn't been that upset about it when Dylan had told him about his own plans for Halloween this year, but if Dylan's offering something for next year, he's absolutely on board with it.
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It is a dream, after all, and he's never really played much with lucid dreaming, so he has no basis for comparison.
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Dylan obviously knows what's cool considering the costume he had designed for himself this year.
Also, take note, universe, that this may be one of the only times a teenager actually thought his parent was cool.
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Never mind that he did have the thought that the Masque costume had been cool, and considering they're in each other's heads, he might as well have said that outloud. He's not thinking about that part.
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It's also fairly obvious through the connection that he's teasing - like he knows Dylan is, too.
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