Entry tags:
magician's apprentice | been a hell of a ride but I'm thinking it's time to grow
Dylan knew, coming out of the hospital if not going in, that getting sober wasn't going to be easy. He knew he'd have bad days and good days and days in between, and every therapist he's seen since then, every meeting he's been to has only reaffirmed that. They'd also armed him with a bag of tricks to deal with everything and everything in between, but -- well, today is one of the bad ones and nothing is helping. He's been pacing the house like a madman for the better part of the day, trying to find something to hold his attention long enough that he can stop thinking about running down to the nearest liquor store. He needs to get out of his skin. He's just shy of calling his sponsor. He needs to get out of the house.
He needs to get out of the house.
Stopping midway through moving a pile of books from one side of the living room to the other, he latches onto that idea and turns it over in his head. He needs to get out of the house.
He's moving again a second later, though this time, it's with a purpose, a clarity he hasn't felt like he's had in hours, days, weeks. He goes to Jack's room, tapping lightly on the door, and then after a beat and once he's been invited in, sticks his head in. Flashing him a smile that's equal parts reassuring and strained (he's fine, they're fine, this is nothing bad, he's just a little jittery, don't mind him), he tells him, "Hey. Pack your shit."
He has an idea. It'll be good for both of them.
He needs to get out of the house.
Stopping midway through moving a pile of books from one side of the living room to the other, he latches onto that idea and turns it over in his head. He needs to get out of the house.
He's moving again a second later, though this time, it's with a purpose, a clarity he hasn't felt like he's had in hours, days, weeks. He goes to Jack's room, tapping lightly on the door, and then after a beat and once he's been invited in, sticks his head in. Flashing him a smile that's equal parts reassuring and strained (he's fine, they're fine, this is nothing bad, he's just a little jittery, don't mind him), he tells him, "Hey. Pack your shit."
He has an idea. It'll be good for both of them.

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"Adjoining rooms." Then, "Trade you?"
For his brochure.
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He's lowkey hoping for a higher floor for the view, but he won't be disappoint with wherever they are.
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The elevator ride, once they get on it, won't feel like it takes that long, however. Blame the subtle magic of the hotel.
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He moves into the elevator to lean back against the wall, expecting it to take some time - and then blinks when the doors reopen only a moment later to reveal their floor. "Whoa," he says, still grinning as he follows Dylan out of the elevator.
Part of him realizes he maybe shouldn't be this excited about a hotel - but he also can't help it.
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Pausing at one end of the hallway, he checks the sign on the wall to see which way they need to go. Once he figures it out, he casts a glance over his shoulder at Jack, just to make sure he's still following, then heads the way they're meant to go. It's not long after that that Dylan finds their doors, and while he's not sure if that's somehow the magic of this place, too, he can't say he's not grateful for it. Between his mood and the hour back home and the magical heavy lifting, he's definitely feeling his exhaustion.
"You wanna keep the middle door open?" he asks, rather than heading straight in, however. He won't begrudge Jack if he wants his privacy, but he wouldn't mind leaving the door between their two rooms open.
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"Yeah, sure," he agrees easily as he reaches for his door and turns the handle - and despite the fact that he got distracted and didn't actually put the key to the pad, it opens easily. "Huh," he declares, still grinning as he steps inside.
He'll set his bag down and then unlock the adjoining door.
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For being a magic hotel, it's really not much, though that may be because Dylan opted for something simple, since they weren't staying more than a night. The dressing of the room matches the lobby downstairs, with its white walls and dark woods, though here they have the added bonus of blue linens. They both have king beds, and there's a kitchenette with a mini-fridge and a microwave and coffee maker tucked into one corner. The bathrooms are neat, but nothing special.
What is special about their rooms are the closets, which are much bigger than they have any right to be, and the floor to ceiling window that takes up the entirety of one of the walls, looking out over the city. Dylan drifts over to the one in Jack's room, notes the lack of any kind of drapery, and then smiles. There are no drapes, sure, but they're not being blasted by the early morning sun, either.
"Wonder if that's magic or some kinda window treatment."
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He doesn't mean in the sense that someone might see in, considering they're 29 floors up, but more that someone might want it darker than just a tint would allow.
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He relents before too much longer, however, and with a sigh, takes a step back away from the window. A glance in the direction of his room follows. "You mind if I go start getting ready for bed?"
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He might not have done magical heavy lifting like Dylan, might have gotten a nap in on the ride, but he is still tired. It's been a long day, and it is late as far as their usual time zone is concerned.
"What time do you wanna get up again?"
He figures Dylan had planned for this trip to be most of their weekend, but he also doesn't really want to sleep through all of it. He'll let Dylan dictate how long they do sleep, though, since he's the one that needs it more.
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He, in turn, heads for his own bag, finding the pajamas he packed, as well as his toothbrush. He makes short work of getting ready for bed, turning off the lights and climbing in, adjusting so he can see out the window, to watch the city as he drifts off.
It's an hour or so later that he wakes up again, chased from sleep by a dream that wasn't quite a nightmare but still wasn't entirely pleasant - and for a moment, he doesn't know where he is. It's not quiet, but the sound is wrong, the traffic too distant, the movement of light and shadow on the walls different than he's used to. He lays in bed for several long moments, trying to settle again - but he can't stop focusing on the unfamiliar.
Finally, frustrated, he climbs out of the bed, padding over to peek through the door into Dylan's room. As far as he can tell, Dylan's asleep, and Jack moves silently to the armchair in the corner, climbing in and pulling his feet up to brace against the edge of the seat, resting his head against the corner of the chair's back and side.
The rhythm of Dylan's breathing - and being able to see him - is familiar enough to chase away his discomfort, and it's not long before he's out again.
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Rather than ponder the magic of the window, however, he studies Jack for a long moment instead. When he seems to reach some kind of conclusion, he moves over to him and reaches out mentally, gently, even as he nudges Jack's leg with his. He wants him awake, but not painfully so.
"Hey."
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"Sorry," he mumbles. "I wake you up?"
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Despite that, however, he does squint at Jack for a long moment. When he seems to find what he's looking for -- or doesn't, still half-asleep, himself -- he asks, "What're you doing?"
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He doesn't mean here as in the hotel but more in a general sense, that this isn't all something that could go away like he worries it will, sometimes.
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He pauses a beat. "It doesn't sound like home," he says, finally.
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He squints at Jack for a moment more, a little more of the lights coming on behind his eyes as he wakes up a little more, too. This time, when he speaks again, it's more genuinely decisive and with a step back, to allow Jack space. "Get in bed."
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He was fine in the chair, and he's not sure he'll ever manage to actually go back to sleep in the other room. Maybe he can turn the tv on low or something.
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He wasn't suggesting Jack go back to his room, he just thought that Jack might like somewhere more comfortable to sleep. He's not opposed to sharing his space if it lets Jack actually get some rest -- and keep future him from hating past him for curling up in a chair like he was.
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"Thanks," he says, heading back toward the other side of the bed, to nudge the blankets out of the way and climb in.
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That said, Dylan moves for his side of the bed and falls back into it. He takes a moment following, getting the blankets situated, and then rolls over to face Jack, one arm going around his waist to pull him close. All things considered, he figures the closeness won't be unwelcome.
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