Entry tags:
magician's apprentice | been a hell of a ride but I'm thinking it's time to grow
Dylan knew, coming out of the hospital if not going in, that getting sober wasn't going to be easy. He knew he'd have bad days and good days and days in between, and every therapist he's seen since then, every meeting he's been to has only reaffirmed that. They'd also armed him with a bag of tricks to deal with everything and everything in between, but -- well, today is one of the bad ones and nothing is helping. He's been pacing the house like a madman for the better part of the day, trying to find something to hold his attention long enough that he can stop thinking about running down to the nearest liquor store. He needs to get out of his skin. He's just shy of calling his sponsor. He needs to get out of the house.
He needs to get out of the house.
Stopping midway through moving a pile of books from one side of the living room to the other, he latches onto that idea and turns it over in his head. He needs to get out of the house.
He's moving again a second later, though this time, it's with a purpose, a clarity he hasn't felt like he's had in hours, days, weeks. He goes to Jack's room, tapping lightly on the door, and then after a beat and once he's been invited in, sticks his head in. Flashing him a smile that's equal parts reassuring and strained (he's fine, they're fine, this is nothing bad, he's just a little jittery, don't mind him), he tells him, "Hey. Pack your shit."
He has an idea. It'll be good for both of them.
He needs to get out of the house.
Stopping midway through moving a pile of books from one side of the living room to the other, he latches onto that idea and turns it over in his head. He needs to get out of the house.
He's moving again a second later, though this time, it's with a purpose, a clarity he hasn't felt like he's had in hours, days, weeks. He goes to Jack's room, tapping lightly on the door, and then after a beat and once he's been invited in, sticks his head in. Flashing him a smile that's equal parts reassuring and strained (he's fine, they're fine, this is nothing bad, he's just a little jittery, don't mind him), he tells him, "Hey. Pack your shit."
He has an idea. It'll be good for both of them.

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There's a lot he hasn't done, really, and he's not even sure if it's something he would end up doing. If the opportunity came up, he wouldn't say no, though.
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"We can try it sometime, see what with think." It's not like they can't be nearly anywhere in the blink of an eye. And by that same logic, "If we decide we hate it, we can pack up and go back home, maybe set up the tent in the living room or something, instead."
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Considering they're both from New York, he has a feeling it might not go well, but he's also not against giving it a try.
There's a lot he feels like he needs to catch up on that families usually do now that he has a family - and that thought brings with it a swirl of warmth.
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And try and figure out who's sleeping where. Maybe he should have thought to bring an air mattress.
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Shaking his head, he does, in fact, turn to lead the way through the door, which dumps out into a narrow hallway with two other doorways behind it. At one point, before him, before his father, when this place was still a construction site for the park outside, this might have been where the offices were or were planned to be.
Nodding towards the door on one side of the hallway, Dylan lets Jack peek into it. There's a small bathroom behind, with a pair of sinks and urinals to one side of a boxed in toilet stall, and a box of a shower on the other. Once Jack's seen that, Dylan indicates the other door, and --
-- well, it should be a room, no bigger than for a desk and a couple of chairs, with a cot and a nightstand wedged in, instead. It should be, but while the room is no bigger than Dylan remembers, something closer to a bed has been shoved in here against one wall, a slightly bigger end table beside it, now. It'll still be tight quarters in here, with the two of them, but at least, like this, no one will have to sleep on the floor.
That in my, Dylan blinks. "Okay, uh."
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"Yeah, that's not a crappy cot," he points out like Dylan hasn't already noticed that.
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It's not the first time he's seen a place change based on whoever happened to be in it. It's just the first time it's happened to him, in a place that belonged to him.
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Before Dylan can respond to that, though, his eyes go a little wide. "Wait, you mean like your hoodie or whatever?"
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Less deliberate, like he said, and much longer in the making, since it wasn't a focused effort.
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He doesn't how to put it into words, but they've basically already had that conversation - how the carousel has always felt Safe when very few places in the city did.
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He knows he's said that before and he should maybe be a little embarrassed to just blurt it out like that, but he means it, and he's meant it every time he's said it.
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"Kinda glad we don't have to worry about where everyone's sleeping and how much my back's gonna hate me in the morning, though," he finishes, a little more seriously.
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He laughs at Dylan's comment. "Yeah. I mean, I can sleep on the floor or whatever, but it sucks."
He would have been fine in a sleeping bag or whatever, but this is definitely better.
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When that's all said and done, he notes, "Guess I probably should've brought something for us to eat." He was kind of in a state when they left, though. Getting out of town was about as far into the future as he'd managed to think.
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Or they could just go out, period. The sky's the limit, all things considered. The ceremony of the car was just for getting here, not what they did once they arrived. Either way, though, stay or go, it's Jack's decision.
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Which is very helpful, he knows, but he also doesn't know what he wants to eat at the moment.
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"Helpful." A beat and then a little more gently, he offers, "Well, think about it while we look around."
He's pretty sure Jack's not done exploring yet, after all.
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He is absolutely not done exploring, though he figures a lot of it's going to have to wait until the next day when the sun's not all but set.
"There other buildings and stuff?"
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They're all in varying states of construction, of disrepair, though. The warehouse is the real piece de resistance here; he really hasn't been out to look around the grounds in years.
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For a kid who's spent most of the last few years of his life running around on the streets of New York with the occasional bit of snooping around in abandoned buildings (it's not B&E if there's no breaking involved), having somewhere like this to poke around in is a dream come true. "I'll have to check them out tomorrow."
He pauses a beat and then, backtracking, says abruptly, "Chinese?"
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Either way, he glances at his watch briefly, before, "You want Chinese-Chinese or American-Chinese?"
This all may be a moot point if Jack is craving something a little less authentic.
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