Entry tags:
magician's apprentice | been a hell of a ride but I'm thinking it's time to grow
Dylan knew, coming out of the hospital if not going in, that getting sober wasn't going to be easy. He knew he'd have bad days and good days and days in between, and every therapist he's seen since then, every meeting he's been to has only reaffirmed that. They'd also armed him with a bag of tricks to deal with everything and everything in between, but -- well, today is one of the bad ones and nothing is helping. He's been pacing the house like a madman for the better part of the day, trying to find something to hold his attention long enough that he can stop thinking about running down to the nearest liquor store. He needs to get out of his skin. He's just shy of calling his sponsor. He needs to get out of the house.
He needs to get out of the house.
Stopping midway through moving a pile of books from one side of the living room to the other, he latches onto that idea and turns it over in his head. He needs to get out of the house.
He's moving again a second later, though this time, it's with a purpose, a clarity he hasn't felt like he's had in hours, days, weeks. He goes to Jack's room, tapping lightly on the door, and then after a beat and once he's been invited in, sticks his head in. Flashing him a smile that's equal parts reassuring and strained (he's fine, they're fine, this is nothing bad, he's just a little jittery, don't mind him), he tells him, "Hey. Pack your shit."
He has an idea. It'll be good for both of them.
He needs to get out of the house.
Stopping midway through moving a pile of books from one side of the living room to the other, he latches onto that idea and turns it over in his head. He needs to get out of the house.
He's moving again a second later, though this time, it's with a purpose, a clarity he hasn't felt like he's had in hours, days, weeks. He goes to Jack's room, tapping lightly on the door, and then after a beat and once he's been invited in, sticks his head in. Flashing him a smile that's equal parts reassuring and strained (he's fine, they're fine, this is nothing bad, he's just a little jittery, don't mind him), he tells him, "Hey. Pack your shit."
He has an idea. It'll be good for both of them.

no subject
He would like to keep looking around, yes, but considering it was nearing sunset when they got here, he doesn't know how much light they have left and how the lighting situation might be, considering how abandoned the place normally is.
no subject
"Might not be a bad idea," he agrees, glancing back at the car. After a beat, he turns to head in that direction, expecting Jack to follow. "You can poke around some more, tomorrow morning or whatever." The interior of the warehouse should keep him busy until then.
no subject
"So, uh..." he begins as they head back to the car. "Guessing it's been a while since you've been out here?"
Unless he's come at some point that Jack doesn't know about.
no subject
A beat.
"Sorry, if there's dust and shit on everything?" Never mind the fact that the warehouse itself takes care of that.
no subject
He's really not, either. If it was gross, it might be one thing, but he can deal with it just being a little dusty.
no subject
It's not long after that that they're pulling up to the warehouse proper, and once Dylan stops the car again, he moves for the trunk, to get their luggage. Settling his bag onto his shoulder, he waits for Jack to do the same, then heads for the door. It doesn't seem to be locked, and maybe that's not surprising, but either way, Dylan pulls it open easily and holds it for Jack, wanting him to go first.
He nods towards the door, if that's not clear enough.
no subject
Jack isn't particularly surprised that it's not locked, considering how out in the middle of nowhere they are, and he moves past Dylan into the building. His curiosity and excitement is obvious through the connection - if Dylan hadn't already figured that out based on his reaction to the skeleton of the coaster.
no subject
"You can look around, if you want." Dylan trusts him not to break anything.
no subject
He heads toward the closest rig, looking it over, trying to see what it was for and how it might have worked without actually getting up close and personal with it.
"This was all your dad's?" he asks after a few minutes, looking back to Dylan.
no subject
He shrugs. Like he said, most of them are Lionel's; he's never actually gotten the chance to use the ones he's come up with, on stage.
no subject
He doesn't mean that in the sense that Dylan might have just been saying he was into magic; more that he would be even more impressed with Dylan to know he had actually gotten to be on stage.
That's a dream he hasn't even considered for himself at this point.
He might also have been able to get the answer to that out of their connection, but he's a little distracted by his own excitement and curiosity.
no subject
(He's careful to guard his reasoning there, if only because he might try and involve Jack, later, if he's old enough when the time comes.)
"I just like to build shit," he continues after a beat. "Maybe, sometime, I'll pass my designs along to another magician, be someone's ingenieur or whatever, but ... " He shrugs.
no subject
He grins crookedly, eyes bright.
no subject
"This's was one of Dad's, from when before he really made it big." A beat. "You know how a ZigZag Girl Illusion works?
no subject
There are some hand motions to go along with that that do seem to indicate he knows what trick Dylan's talking about.
"Uh... is that one two people? I know most of the ones that involve cutting people in half have a second person in the rig."
no subject
He's not so small as the average magician's assistant, but he still thinks he could make it work. The fact that he's offering to let Jack touch something of his father's, period, is a big step.
no subject
no subject
no subject
"Oh, these are actually as heavy as they look," he says as he hefts them a little, getting a better grip. "Always kinda wondered if they were just playing that up."
no subject
He'll let Jack have another minute or two to inspect them as he pulls the cabinet open and gets in. It's probably a good thing that he's never been a particularly tall man.
"You wanna close me in here?"
no subject
no subject
A pause follows, then more seriously, he tells him, "But yeah. Just close the doors."
no subject
no subject
Never mind the fact that, in the tight space of the cabinet, he's turning so that Jack can put the blades in without hurting him. It won't take him more than a second. He'll be ready by the time Jack has the blades in hand, again.
no subject
That one done, he picks up the second one, pushing it into place as well. He's torn between frowning in concentration and beaming like an idiot considering this is so fucking cool, so he's a little relieved Dylan can't see his face right now.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...